Loot

By (author) Orton Joe
Short description/annotation:
One of the most enduring comedies of the modern British stage
Description:
A black farce masterpiece, Loot follows the fortunes of two young thieves, Hal and Dennis. Dennis is a hearse driver for an undertaker. They have robbed the bank next door to the funeral parlour and have returned to Hal''s home to hide-out with the loot. Hal''s mother has just died and the pair put the money in her coffin, hiding the body elsewhere in the house. With the arrival of Inspector Truscott, the thickened plot turns topsy-turvy. Playing with all the conventions of popular farce, Orton creates a world gone mad and examines in detail English attitudes at mid-century. The play has been called a Freudian nightmare, which sports with superstitions about death - and life. It is regularly produced in professional and amateur productions. First produced in London in 1966, LOOT was hailed as "the most genuinely quick-witted, pungent and sprightly entertainment by a new, young British playwright for a decade" (Sunday Telegraph)
Biographical note:
Joe Orton (1933-1967) was an English playwright noted for his black comedies, which combine genteel dialogue with violent and shocking action. Orton left home at 16 to train as an actor. His subversive style of humour first revealed itself in a bizarre incident in 1962, when he and his lover, Kenneth Halliwell were jailed for defacing library books. The two had carefully removed jacket blurbs from middle-brow novels and substituted their own, mostly scatological, counterfeits. Orton delighted in shocking audiences by breaking taboos surrounding sexuality and death in conventionally structured ''black'' farces involving epigrammatic dialogue and frenetic, convoluted plots. Thus, in Entertaining Mr Sloane (1964), a young lodger attempts to lure a woman and her brother into providing him with all he needs, only to find he has become each one''s sexual plaything; Loot (1965) is a parody of a detective story involving much comic business with a coffin and a corpse; and What the Butler Saw (1969) stylishly turns farce on its head. Orton was a homosexual in a period before the liberalization of British law, and this side of his life is described in detail in his posthumously published diaries. He was battered to death by Halliwell (who subsequently committed suicide) during a domestic argument at their home in Islington, North London.
Promotional headline:
One of the most enduring comedies of the modern British stage
Description for collection:
Methuen Drama’s Modern Classics series showcases landmark plays from around the world. Drawing on the Modern Plays series, which launched in 1959, Modern Classics celebrates plays from the contemporary repertoire by world-leading dramatists and presents their work in a definitive edition, alongside new introductions by leading scholars and industry professionals. With writers such as Pulitzer Prize-winners Jackie Sibblies Drury, Ayad Akhtar and David Mamet through to Lucy Prebble, Katori Hall and Caryl Churchill, Modern Classics are ideal for students and anyone wanting to deepen their knowledge of the plays that form part of the modern dramatic canon.