Midnight In Cairo (the Female Stars Of Egypt's Roaring `20s)

By (author) Cormack, Raphael; By (author) Cormack Raphael
Short description/annotation
The fascinating story of the women of Cairo''s decadent interwar nightlife and entertainment industry, which celebrates these feminist cultural icons'' triumphs, presenting a unique view of the rise of Arab feminism.
Description
1920s Cairo: singers were pressing hit records, dramatic troupes were springing up and cabarets were packed – a counterculture was on the rise. In bars, hash-dens and music halls, people of all backgrounds came together as a passionate group of artists captivated Egyptian society. Of these performers, Cairo’s biggest stars were female, and they asserted themselves on the stage like never before. Two of the most famous troupes were run by women; Badia Masabni’s dancehall became the hottest nightspot in town; pioneer of Egyptian cinema Aziza Amir made her stage debut; and legendary singer Oum Kalthoum first rose to fame. It is these women, who knew both the opportunities and prejudices that this world offered, who best reveal this cosmopolitan and raucous city’s secrets. Midnight in Cairo tells the thrilling story of Egypt’s interwar nightlife and entertainment industry through the lives of its pioneering women. Introducing an eccentric cast of characters, it brings to life a world of revolutionary ideas and provocative art – one which laid the foundations of Arab popular culture today. It is a story of modern Cairo as we have never heard it before.
Review quote
Cormack uncovers an unexpected story of powerful women and their no less powerful voices - on stage and behind the scenes. Beguiling and original. - Marina Warner
Biographical note
Raphael Cormack lived in Cairo for several years. He is the editor of The Book of Cairo and the co-editor of The Book of Khartoum. His writing on Arabic literature, culture and history has appeared in the London Review of Books, Prospect, TLS and Apollo Magazine, among others. Cormack received a BA in Classics from Balliol College, University of Oxford, a diploma in Arabic Language from the American University in Cairo, an MA in Middle Eastern Studies from Columbia University, New York, and a PhD in Egyptian theatre from the University of Edinburgh. He lives in Oxford.