Dance Dance Dance

By (author) Haruki Murakami; By (author) Murakami, Haruki
Short description/annotation
Features such characters as: High-class call girls billed to Mastercard; a psychic 13-year-old dropout with a passion for Talking Heads; a hunky matinee idol doomed to play dentists and teachers; and, a one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem.
Description

An assault on the senses, part murder mystery, part metaphysical speculation; a fable for our times as catchy as a rock song blasting from the window of a sports car.

High-class call girls billed to Mastercard. A psychic 13-year-old dropout with a passion for Talking Heads. A hunky matinee idol doomed to play dentists and teachers. A one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem.

Combine this offbeat cast of characters with Murakami''s idiosyncratic prose and out comes Dance Dance Dance.

''If Raymond Chandler had lived long enough to see Blade Runner, he might have written something like Dance Dance Dance'' Observer

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If Raymond Chandler had lived long enough to see Blade Runner, he might have written something like Dance Dance Dance
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An entertaining mix of modern sci-fi, nail-biting suspense and ancient myth...a sometimes funny, sometimes sinister mystery spoof, but like all good postmodern fiction, it also aims at contemporary human concerns, philosophical as well as literary
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An entertaining adventure that takes us to the frozen north of Japan, to Hawaii and to the dark, damp corners of the imagination... Reading Dance Dance Dance is a bit like being taken blindfold on a joy-ride
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Mr Murakami writes metaphysical Far Easterns with a Western beat...there are echoes of Raymond Chandler, John Irving and Raymond Carver, but Mr. Murakami''s mysterious plots and original characters are very much his own creation
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Brilliantly combines elements of the surreal, film noir and existentialist enquiry
Biographical note

In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.

Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.

Promotional headline
An assault on the senses, part murder mystery, part metaphysical speculation; a fable for our times as catchy a