Michael Kohlhaas

By (author) von Kleist, Heinrich; Translated by Hofmann, Michael
Short description/annotation
An extraordinary masterpiece of German literature, now in a gripping new English translation  
Description
Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an indomitable figure that you can’t help rooting for from start to finish.

 

Knotty, darkly comical, magnificent in its weirdness, and one of the greatest and most influential tales in German literature, this short novel, first published in German in 1810, is now available in award-winning Michael Hofmann’s sparkling new English translation.

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"Kleist’s two abiding concerns, politics and metaphysics, come together powerfully in Michael Kohlhaas, his longest and best-known narrative, which now appears in a lively new translation by Michael Hofmann."
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"It is this critical combination of fiction and philosophy that accounts for Kleist’s enduring originality and Michael Kohlhaas’s appeal to writers like Walser and Kafka. Despite the novella being set amid the tumult of the German Reformation, Kleist’s portrait of a man ‘in the Hell of unsatisfied vengeance’, beset on all sides by bureaucratic obstacles and governmental corruption, possesses a stubborn timelessness."
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"The most inscrutable of all Kleist''s works, newly translated by the incomparable Michael Hofmann. Set in the sixteenth century, the book follows its namesake, a petty horse trader who grows enraged when a nobleman subjects him to a minor injustice. Kleist''s sentences, hypnotic and exquisitely controlled, span entire pages, rippling into ever wider and ever dreamier rings."
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"Kleist is a giant, Cervantes''s heir, and a one-man avant-garde of the modern German novel."
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"Heinrich von Kleist is one of the great neglected figures of European literature. His work is at once tragic, grotesque, hectic, tender, hilarious and heartbroken, a powerful current in that underground of European literature that includes Holderlin, Buchner, Diderot, Kafka, Rilke, Witold Gombrowiez, Thomas Bernhard, Paul Celan, Samuel Beckett, upon many of whom Kleist had a direct influence. His work is peculiarly apt for our fractured times, and speaks in a voice which, despite the occasional High Romantic inflection, sounds startlingly modern."
Review quote
"Michael Kohlhaas could be called a pathology of obsession, or a juridical riddle, or even a kind of magnificent taunt, though none of these is right, or right enough. One must merely read it, and then read it again, staggered by its sheer acceleration, its furious savagery, its vertiginous authority, its exquisite prolongment of closure as event follows improbable event. Kohlhaas is one of literature’s eternal characters because he outpaces any interpretive framework. His indomitable reality exceeds our own."
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"A masterwork—at once a savage indictment of a corrupt legal system and an object lesson in the ways that all-out combat can ignite from the most picayune personal slights. In Michael Hofmann, whose own writing style is frenetic and steeply erudite, the novella may have found the perfect translator. Absurdities compound with a devil’s logic that presages Kafka (who adored the book)."
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"Kleist is a great master. He wrote a kind of chronicle fiction which to this day dazzles me as no other."
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"Kleist tells you what sort of people his characters are—often impetuous, wrongheaded, over