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      Antoine Online

      Sweetness At The Bottom Of The Pie, The: A Flavia De Luce Mystery

      by Alan Bradley
      Our price: LBP 22,500 / $ 15.00Unavailable
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      Product Details

      • Publisher: Bantam
      • Publishing date: 19/01/2010
      • Language: English
      • ISBN-13: 9780385343497
      • ISBN: 0385343493

      Synopsis

      Amazon Best of the Month, April 2009: It's the beginning of a lazy summer in 1950 at the sleepy English village of Bishop's Lacey. Up at the great house of Buckshaw, aspiring chemist Flavia de Luce passes the time tinkering in the laboratory she's inherited from her deceased mother and an eccentric great uncle. When Flavia discovers a murdered stranger in the cucumber patch outside her bedroom window early one morning, she decides to leave aside her flasks and Bunsen burners to solve the crime herself, much to the chagrin of the local authorities. But who can blame her? What else does an eleven-year-old science prodigy have to do when left to her own devices? With her widowed father and two older sisters far too preoccupied with their own pursuits and passions—stamp collecting, adventure novels, and boys respectively—Flavia takes off on her trusty bicycle Gladys to catch a murderer. In Alan Bradley's critically acclaimed debut mystery, The Sweetness at the Bottom of the Pie, adult readers will be totally charmed by this fearless, funny, and unflappable kid sleuth. But don't be fooled: this carefully plotted detective novel (the first in a new series) features plenty of unexpected twists and turns and loads of tasty period detail. As the pages fly by, you'll be rooting for this curious combination of Harriet the Spy and Sherlock Holmes. Go ahead, take a bite. --Lauren Nemroff
      A Q&A with Alan Bradley

      Question: With the publication of The Sweetness at the Bottom of the Pie, you’ve become a 70-year-old-first time novelist. Have you always had a passion for writing, or is it more of a recent development?

      Alan Bradley: Well, the Roman author Seneca once said something like this: “Hang on to your youthful enthusiasms--you’ll be able to use them better when you’re older.” So to put it briefly, I’m taking his advice.

      I actually spent most of my life working on the technical side of television production, but would like to think that I’ve always been a writer. I started writing a novel at age five, and have written articles for various publications all my life. It wasn’t until my early retirement, though, that I started writing books. I published my memoir, The Shoebox Bible, in 2004, and then started working on a mystery about a reporter in England. It was during the writing of this story that I stumbled across Flavia de Luce, the main character in Sweetness.

      Q: Flavia certainly is an interesting character. How did you come up with such a forceful, precocious and entertaining personality?

      AB: Flavia walked onto the page of another book I was writing, and simply hijacked the story. I was actually well into this other book--about three or four chapters--and as I introduced a main character, a detective, there was a point where he was required to go to a country house and interview this colonel.

      I got him up to the driveway and there was this girl sitting on a camp stool doing something with a notebook and a pencil and he stopped and asked her what she was doing and she said “writing down license number plates“ and he said “well there can't be many in such a place“ and she said, “well I have yours, don’t I? “ I came to a stop. I had no idea who this girl was and where she came from.

      She just materialized. I can't take any credit for Flavia at all. I’ve never had a character who came that much to life. I’ve had characters that tend to tell you what to do, but Flavia grabbed the controls on page one. She sprung full-blown with all of her attributes--her passion for poison, her father and his history--all in one package. It surprised me.

      Q: There aren’t many adult books that feature child narrators. Why did you want Flavia to be the voice of this novel?

      AB: People probably wonder, “What’s a 70-year-old-man doing writing about an 11-year-old-girl in 1950s England? “ And it’s a fair question. To me, Flavia embodies that kind of hotly burning flame of our young years: that time of our lives when we’re just starting out, when anything--absolutely anything!--is within our capabilities.

      I think the reason that she manifested herself as a young girl is that I realized that it would really be a lot of fun to have somebody who was virtually invisible in a village. And of course, we don’t listen to what children say--they’re always asking questions, and nobody pays the slightest attention or thinks for a minute that they’re going to do anything with the information that they let slip. I wanted Flavia to take great advantage of that. I was also intrigued by the possibilities of dealing with an unreliable narrator; one whose motives were not always on the up-and-up.

      She is an amalgam of burning enthusiasm, curiosity, energy, youthful idealism, and frightening fearlessness. She’s also a very real menace to anyone who thwarts her, but fortunately, they don’t generally realize it.

      Q: Like Flavia, you were also 11 years old in 1950. Is there anything autobiographical about her character?

      AB: Somebody pointed out the fact that both Flavia and I lacked a parent. But I wasn’t aware of this connection during the writing of the book. It simply didn’t cross my mind. It is true that I grew up in a home with only one parent, and I was allowed to run pretty well free, to do the kinds of things I wanted. And I did have extremely intense interests then--things that you get focused on. When you’re that age, you sometimes have a great enthusiasm that is very deep and very narrow, and that is something that has always intrigued me--that world of the 11-year-old that is so quickly lost.

      Q: Your story evokes such a vivid setting. Had you spent much time in the British countryside before writing this book?

      AB: My first trip to England didn’t come until I went to London to receive the 2007 Debut Dagger Award, so I had never even stepped foot in the country at the time of writing Sweetness. But I have always loved England. My mother was born there. And I‘ve always felt I grew up in a very English household. I had always wanted to go and had dreamed for many years of doing so.

      When I finally made it there, the England that I was seeing with my eyes was quite unlike the England I had imagined, and yet it was the same. I realized that the differences were precisely those differences between real life, and the simulation of real life, that we create in our detective novels. So this was an opportunity to create on the page this England that had been in my head my whole life.

      Q: You have five more books lined up in this series, all coming from Delacorte Press. Will Flavia age as the series goes on?

      AB: A bit, not very much. I think she’s going to remain in the same age bracket. I don’t really like the idea of Flavia as an older teenager. At her current age, she is such a concoction of contradictions. It's one of the things that I very much love about her. She's eleven but she has the wisdom of an adult. She knows everything about chemistry but nothing about family relationships. I don’t think she’d be the same person if she were a few years older. She certainly wouldn’t have access to the drawing rooms of the village.

      Q: Do you have a sense of what the next books in the series will be about?

      AB: The second book, The Weed That Strings the Hangman's Bag, is finished, and I’m working on the third book. I have a general idea of what’s happening in each one of the books, because I wanted to focus on some bygone aspect of British life that was still there in the '50s but has now vanished. So we have postage stamps in the first one... The second book is about the travelling puppet shows on the village green. And one of them is about filmmaking--it sort of harks back to the days of the classic Ealing comedies with Alec Guinness and so forth.

      Q: Not every author garners such immediate success with a first novel. After only completing 15 pages of Sweetness, you won the Dagger award and within 8 days had secured book deals in 3 countries. You’ve since secured 19 countries. Enthusiasm continues to grow from every angle. How does it feel?

      AB: It's like being in the glow of a fire. You hope you won't get burned. I’m not sure how much I’ve realized it yet. I guess I can say I‘m “almost overwhelmed”--I’m not quite overwhelmed, but I’m getting there. Every day has something new happening, and communications pouring in from people all over. The book has been receiving wonderful reviews and touching people. But Flavia has been touching something in people that generates a response from the heart, and the most often mentioned word in the reviews is love--how much people love Flavia and have taken her in as if she’s a long-lost member of their family, which is certainly very, very gratifying.

      (Photo © Jeff Bassett)


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      • Charming & Entertaining
        From Amazon

        This is what a book should be - an old-fashioned mystery filled with English charm and wit and a main character who is impossible not to love. Flavia is one of a kind and I wish she lived next door. Entertaining and witty from beginning to end - not complicated but thoroughly entertaining. I'm pre-ordering the next in the series.

      • I bought this for my grandangel...from author of EXPLOSION IN PARIS...
        From Amazon

        This book is right on for my grandangel! Of course I had to read it first. The narrator is an over-the-top intelligent eleven year old girl who is wise beyond her years. Flavia's quick wit and drive lead her to do some sleuthing to solve murders in this unusual dysfunctional family dynamic. The story is set in the 1950's England in an exciting old English estate. It's interesting how the author captured and portrayed this girl so well, a brilliant mind in an 11 year old unworldly, innocent, inexperienced body. She had to have been an old soul. Absolutely amazing read.

      • Loved it!
        From Amazon

        I enjoyed this story and the character of Flavia. Several times I laughed out loud at the banter between her and her sisters. I found this book to be a light, fun read that I hated to see come to end. Fortunately, there are more Flavia books to be read, and I'm glad to have found a new author to add to my list of "favorites"!

      • A Delicious Book
        From Amazon

        The Sweetness at the Bottom of the Pie is a fascinating tale about an eleven year old chemist/detective, Flavia de Luce. Set in the English town of Bishop's Lacy, Flavia de Luce battles with her two older sisters who seem to despise her as she attempts to solve a murder that happened in her very own back yard. She does all this using her chemistry lab left to her by an auspicious uncle while relying on her bike, Gladys, as her means of transportation to gather clues. This is the first Flavia de Luce mystery, with the second: The Weed that Strings the Hangman's Bag to be released in March 2010. Readers will most likely fall in love with Flavia de Luce after the first twenty pages. She is a fearless and determined eleven year old girl who will stop at nothing to solve a crime or to get revenge. After being tied up for hours by her two older sisters, Flavia skillfully concocts a remedy for her sister's misbehavior in her chemistry lab. She will also be seen cruising around Bishop's Lacy on her bike, which she has creatively named Gladys, in attempts to discover who has killed this mysterious man in the cucumber patch at the great house where she lives, Buckshaw. The Sweetness at the Bottom of the Pie is a page turner that will send you out looking for the next book in the series. Thankfully Alan Bradley is feeding our addictions and has already released the titles of the next five books.

      • An expensive cover
        From Amazon

        An expensive cover I judged this book by his cover, both physically and metaphorically. I trusted the general enthusiasm about it, which made it climbed to no lower than number 1 Amazon's best seller list; and I liked the cover (Spanish edition) itself: an harmonious mix of black and red, lovable freakish girl (pretty much in the Burtonian style) included. Never take yourself very seriously if you are going against popular wisdom. Never judge a book by his cover. I did and my only gain has been a 20 bucks piece of hardcover. The plot may work in some attempts of juvenile literature, but it's full of clichés, both modern (some Rowling creatures and their inevitable inheritors come to mind, as traditional mystery pulp for young masses-i.e. The Secret Seven- do) and classical: Bradley is a well known expert in Doyle's Holmes-sadly revisited these days- and the perspective about policemen, characters and places is an attempt to catch the Holmesian atmosphere, by delivering the same importance to the same things. Any experienced reader would probably find the book unsatisfying. Yeah, it may be readable at some parts, but Flavia is a weak character. She has been considered a great literary achievement, a sort of transcendental heroine called to live in fresh groves of laurel. That's wrong. She's not brilliant enough to justify the general stupidity of the cast, and the required admiration from the reader never happens to born. You don't find yourself saying: "Damm it, that's clever!" o "Whish I could think like that". She fails at outsmarting the reader, which is the most condemnable sin of this genre of prose. Any person, as a reader, is willing to be outsmarted, and the outsmarting power is always on the writer side, just by elemental reading mechanics. Let me summarize: too familiar for a veteran reader, not mind blowing enough for a novice and clearly under Bradley's skill: it's so obvious that he's far more intelligent than his book, and writing should be a mind steroid, not a brain castration. I'll follow his career, not mourn a moderate success and probably not ever read him again. However I'll look now and then at the cover. Nice colors, that's for sure.

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