Sigrid Nunez is also the author of the novels A Feather on the Breath of God and For Rouenna. She has received several awards, including a Whiting Writers' Award, the Rome Prize in Literature, and a Berlin Prize Fellowship. She lives in New York City.

The Last of Her Kind introduces two women who meet as freshman on the Barnard campus in 1968. Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to escape. After the violent fight that ends their friendship, Georgette wants only to forget Ann and to turn her attention to the troubled runaway kid sister who has reappeared after years on the road.

Then, in 1976, Ann is convicted of murder. At first Ann's fate appears to be the inevitable outcome of her belief in the moral imperative to "make justice" in a world where "there are no innocent white people." But in searching for answers to the riddle of this friend of her youth, Georgette finds more complicated and mysterious forces at work.

As the novel's narrator, Georgette illuminates the terrifying life of this difficult, doomed woman, and in the process discovers how much their early encounter has determined her own path, and why, decades later, as she tell us, "I have never stopped thinking about her."

"A compelling account of the 1960s and their aftermath, a carefully written and discerning narrative with closely drawn portraits of prototypical yet unique women trying to construct a friendship across and unbridgeable class divide . . . The Last of Her Kind appears to share common ground with novels like The Group by Mary McCarthy and ona Jaffe's Class Reunion. And the historical events, both real and invented, that provide its backdrop give Nunez's story tragic dimensions . . . Nunez's keen powers of observation make her a natural chronicler. It's not hard to suspect she has plenty of good stories about her own life to tell."?Megan Marshall, The New York Times Book Review

"A compelling account of the 1960s and their aftermath, a carefully written and discerning narrative with closely drawn portraits of prototypical yet unique women trying to construct a friendship across and unbridgeable class divide . . . The Last of Her Kind appears to share common ground with novels like The Group by Mary McCarthy and ona Jaffe's Class Reunion. And the historical events, both real and invented, that provide its backdrop give Nunez's story tragic dimensions . . . Nunez's keen powers of observation make her a natural chronicler. It's not hard to suspect she has plenty of good stories about her own life to tell."?Megan Marshall, The New York Times Book Review
 
"A remarkable novel for those whose trendiness is in decline. This story of a complicated friendship is likely to strike a chord with readers, especially women, who were at an impressionable age during the 1960's and 70's . . . full of incident and high drama . . . The author's name, Sigrid Nunez, is not widely known beyond the literary establishment that has bestowed several important prizes on her, but the scope and power of her fifth novel should bring her much wider acclaim . . . One of the best moments in the book is when the meaning of the title is revealed. Like so much else here, it startles and lingers long in the heart and mind."?Elizabeth Benedict, The New York Times
 
"Nunez confronts big questions of moral complexity, the arrogant underside of idealism, the shifting line between principles and fanaticism, and America's fascination with violence. The Last of Her Kind focuses not only on the kind of violence unleashed by a declaration of war, or fired from the barrel of a gun, but also on the more intimate violence of suppressed anger and missed opportunities between husbands and wives, parents and children, friends and lovers . . . Nunez is a gifted storyteller."?Renee Shea, Poets & Writers
 
"Brilliant, dazzling, daring . . . the keenest comparison is to The Great Gatsby, American idealism wedded to materialism. This novel will make you rethink Gatsby and it's reputation as the great masterpiece of American literature?no small feat."?The Boston Globe
 
"Remarkable . . . daring . . . [Sigrid Nunez] presents a homegrown American version of a special kind of monster in Ann, while also managing to make her appealing, intelectually compelling, movingly charasmatic."?San Francisco Chronicle
 
"The narrative style is as clear and affecting as ever, capturing the viewpoints and inflections of several characters without losing its compelling intensity . . . Ms. Nunez is a writer more interested in people than politics. She is far more interested in showing how individual lives are shaped by politics than in trying to explain how politics shapes the course of history. Exploring, investigating and imagining the histories of her variegated characters, she takes us beneath the surface to the essential mysteries of the human heart."?Merle Rubin, The Wall Street Journal
 
"Idiosyncratic, provocative and sublimely confident . . . a document of an era through characters who begin to seem like historical icons whose names we should remember. It's responsible, feminist, uncompromising and hugely informative but never patronizing. She shows us the crowds and the big ideas, conferring on them both nobility and intelligence. Nunez has created a book that feels both porous?there is room for our own accounts of these times?and like the discovery of a crucial document, the riveting archive of the lives of the last of all kinds of dreamers."?Newsday
 
"Refreshingly unsentimental . . . A touching, well-written story about '60s idealism that challenges the current slickness in ads that sell Woodstock and such to baby boomers . . . Nunez takes the clichés of the era's counterculture and shines a harsh light on them."?Paula Wehmeyer, BUST
 

?An honest, unflinching look at the times, the attitudes and the difficulties involved in an era when many people tried their damnedest to live as authentically as possible in the presence of so much wrong . . . To read this novel is to experience the turbulence, the anguish, the heightened sense of connectedness through the feeling that what some people did actually mattered.”?Tara Miller, The Antioch Review