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But, until now, this magnificent building has also been one of the least documented and studied, a simple result of the fact that there were no known archives relating to its design or construction. This material was lost in the decades following its completion, or so everyone believed, until author David Stravitz discovered a box of negatives on the floor of a defunct stock photo company, just days before they were to be shipped off for silver reclamation. The never-before-seen photographs, reproduced as sumptuous duotones in this oversize book, illustrate the day-by-day construction of this American icon.
The photographs were taken by professional photo companies hired to document the construction of the building. In so doing, they also captured the day-to-day life taking place on the streets and in the environs of the Chrysler Building in exquisite detail.
This book beautifully illustrates the history of one of the most important buildings in New York as it emerged from street level to spire.
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There is something about pre-war photos, perhaps the chemicals used on glass plates or the type of paper used for the black and white prints but whatever, old photos seem to have a richness of texture that enhances their appearance and you certainly notice this in these pictures. As well as their quality (don't forget this was straightforward commercial photo assignment) there is plenty to see of the building construction, what is going on in the surrounding streets and several panoramas of mid-town Manhattan taken from the Chrysler Building, including a dramatic four-page gatefold.
This is the sort of detail you'll see, pages eight and nine show the empty building site (taken on November nine) and traffic on three sides, turn the page to see a photo (November seventeen) showing dozens of male spectators looking down on the building site, now full of working construction equipment, traffic and a newsstand has appeared on a corner, by December one this newsstand has become a hut and incorporated into the fencing that now runs round the site. After the exterior, the cameraman went inside to capture the lovely deco detailing.
In the back of the book there are thumbnails and captions for the photos. Page 154 has five floor plans (I was rather disappointed that there were not more diagrams showing the exterior decorative work) and you realise that the building is not oblong, the non-street end has a chamfered side. Just one of the many insights that you'll get from this fascinating photo study of one of the world's great landmarks.
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